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Had Mr. Hawthorne written out the story in every part to its full dimensions, it could not have failed to rank among the greatest of his productions. He had looked forward to it as to the crowning achievement of his literary career. In the Preface to "Our Old Home" he alludes to it as a work into which he proposed to convey more of various modes of truth than he could have grasped by a direct effort.

Doctor Grimshawe's Secret; A Romance ..

But circumstances prevented him from perfecting the design which had been before his mind for seven years, and upon the shaping of which he bestowed more thought and labor than upon anything else he had undertaken. There is no other instance, that I happen to have met with, in which a writer's thought reflects itself upon paper so immediately and sensitively as in these studies.

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To read them is to look into the man's mind, and see its quality and action. The penetration, the subtlety, the tenacity; the stubborn gripe which he lays upon his subject, like that of Hercules upon the slippery Old Man of the Sea; the clear and cool common-sense, controlling the audacity of a rich and ardent imagination; the humorous gibes and strange expletives wherewith he ridicules, to himself, his own failure to reach his goal; the immense patience with which—again and again, and yet again—he "tries back," throwing the topic into fresh attitudes, and searching it to the marrow with a gaze so piercing as to be terrible;—all this gives an impression of power, of resource, of energy, of mastery, that exhilarates the reader.

  1. Doctor Grimshawe's Secret — a Romance, by Nathaniel Hawthorne.
  2. Doctor Grimshawe's Secret - Nathaniel Hawthorne - كتب Google.
  3. Doctor Grimshawe's Secret — a Romance.
  4. Doctor Grimshawe's Secret — a Romance.

So many inspired prophets of Hawthorne have arisen of late, that the present writer, whose relation to the great Romancer is a filial one merely, may be excused for feeling some embarrassment in submitting his own uninstructed judgments to competition with theirs. It would appear that this author, in his preparatory work at least, has ventured in some manner to disregard the modern canons which debar writers from betraying towards their creations any warmer feeling than a cultured and critical indifference: nor was his interest in human nature such as to confine him to the dissection of the moral epidermis of shop-girls and hotel-boarders.

On the contrary, we are presented with the spectacle of a Titan, baring his arms and plunging heart and soul into the arena, there to struggle for death or victory with the superb phantoms summoned to the conflict by his own genius. The men of new times and new conditions will achieve their triumphs in new ways; but it may still be worth while to consider the methods and materials of one who also, in his own fashion, won and wore the laurel of those who know and can portray the human heart.

The story is divided into two parts, the scene of the first being laid in America; that of the second, in England. Internal evidence of various kinds goes to show that the second part was the first written; or, in other words, that the present first part is a rewriting of an original first part, afterwards discarded, and of which the existing second part is the continuation.

The two parts overlap, and it shall be left to the ingenuity of critics to detect the precise point of junction. In rewriting the first part, the author made sundry minor alterations in the plot and characters of the story, which alterations were not carried into the second part. It results from this that the manuscript presents various apparent inconsistencies.

In transcribing the work for the press, these inconsistent sentences and passages have been withdrawn from the text and inserted in the Appendix; or, in a few unimportant instances, omitted altogether. In other respects, the text is printed as the author left it, with the exception of the names of the characters.

Doctor Grimshawe's Secret — a Romance by Nathaniel Hawthorne

In the manuscript each personage figures in the course of the narrative under from three to six different names. There is no break in the narrative, and the legitimate conclusion is reached. To say that the story is complete as a work of art, would be quite another matter. It lacks balance and proportion.


Some characters and incidents are portrayed with minute elaboration; others, perhaps not less important, are merely sketched in outline. Beyond a doubt it was the author's purpose to rewrite the entire work from the first page to the last, enlarging it, deepening it, adorning it with every kind of spiritual and physical beauty, and rounding out a moral worthy of the noble materials.


But these last transfiguring touches to Aladdin's Tower were never to be given; and he has departed, taking with him his Wonderful Lamp. Nevertheless there is great splendor in the structure as we behold it.

The character of old Doctor Grimshawe, and the picture of his surroundings, are hardly surpassed in vigor by anything their author has produced; and the dusky vision of the secret chamber, which sends a mysterious shiver through the tale, seems to be unique even in Hawthorne. Hawthorne's handwriting was singularly legible. The present writer possesses specimens of Mr.

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Doctor Grimshawe's Secret — a Romance, by Nathaniel Hawthorne : CHAPTER XIII.

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